Baby Review: An Astute Depiction of LGBTQ+ Brazilian Survivors Adrift in the Established Order

Channelling the metropolitan unease and dynamic spirit of São Paulo, director Marcelo Caetano's gripping drama focuses on those who inhabit the outskirts of an perpetually shifting metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the innocent young man discovers refuge in the arms of others.

On an night on the town with his lively group of LGBTQ+ and gender non-conforming friends, Wellington meets Ronaldo (Ricardo Teodoro), a muscular, charming hustler significantly older than his age. Shrouded in the flickering glow of a XXX cinema, their introductory rendezvous is physical and passionate, with an tinge of peril. Ronaldo quickly introduces Wellington to the clandestine realm of prostitution and drug dealing.

A Portrait of Understanding Rather Than Exploitation

The director portrays Wellington’s new life of crime with tender empathy rather than as a sensationalist cautionary tale. Now using the alias Baby, he approaches his transactional encounters with cocky bravado and touching naivety. To his patrons, Wellington lends not only his youth and his body, but also moments of care.

In the hectic energy of São Paulo, filled with busy lanes and vibrant storefronts, there’s a persistent isolation, as rootless people grasp at one another for fleeting joy.

"The streets might be fraught with peril, yet they are the place where they can forge familial bonds, too."

A Complex Relationship of Love and Control

Ronaldo is simultaneously a partner and a guardian-like mentor to Wellington, but their connection is thrown off course by possessiveness and monetary insecurity. Threats from shady figures in the underworld pale in comparison to the fear of institutional observation and jail time, represented by the hovering figures of police officers on patrol.

Baby is especially potent as a perceptive study of the disenfranchised individuals who have fallen through the cracks the established structure. The film stands as a moving exploration into survival, found community, and the quest for purpose within a unforgiving urban landscape.

Amanda Santana
Amanda Santana

Lena Visser is a Dutch new media artist specializing in interactive installations that blend wave patterns with audiovisual technology.